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      • JUMP/CUTS: CREATIVE PLAYGROUNDS
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      • JUMP/CUTS: FAMILY STYLE
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SAN DIEGO ASIAN FILM FESTIVAL

SUBMISSIONS OPEN FOR SDAFF 2022

Submit your project to SDAFF 2021! Now accepting documentary, international, feature, shorts and new media works.

SUBMIT YOUR FILM
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Submit Your Film

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Submit your project to SDAFF 2022! Now accepting documentary, international, feature, shorts, and new media works!

 

So you’ve made a film — and you think it’s good. Better yet, you’re an Asian, Asian American, or Pacific Islander filmmaker looking for a platform, or your work sheds new light on Asian Pacific Islander communities, expands our knowledge of Asian American cultures, or shows new possibilities for Asians onscreen. Guess what? We want to see it!

 

2022 marks the 23rd season of the San Diego Asian Film Festival (SDAFF), which will take place November 2022. SDAFF launched its first competitive festival in August 2000 and has grown to become the largest exhibition of Asian cinema in the western United States and one of the premiere festivals for Asian American cinema anywhere, showcasing everything from future classics to luminary independent works. Each year, the festival brings West Coast, North American, and World premieres of films from around the world to San Diego and brings unique opportunities to discover international cinema to our more than 20,000 patrons.

 

SDAFF takes pride in providing excellent hospitality to filmmakers, artists, and industry guests during its festival, while creating meaningful programs and events…and throwing some killer parties. If you are accepted into the festival, you are guaranteed three things: 1) lots of food, 2) lots of love, and 3) the possibility of winning a prize for your film.

 

The best films of the festival are awarded during a 500-seat Awards Gala in the following categories: Experimental Short, Documentary Short, Documentary Feature, Narrative Short, Narrative Feature, International Short, and Grand Jury Award. Films in ALL categories are eligible for the Grand Jury Prize. First-time feature filmmakers are also eligible for the George C. Lin Emerging Filmmaker Award.

Hear from SDAFF filmmakers

 

  • “SDAFF was one of the most wonderful, vibrant, and inviting festivals I’ve ever had the pleasure to attend! Even though it was my first time, one word that kept crossing my mind throughout my time there was ‘family.’ Bringing together so much Asian talent from across media under one event was like a family reunion I never knew I needed in my life until SDAFF made it a reality.”

    Eugene Lee Yang – BuzzFeed

  • “SDAFF was such a great experience all around. Meeting some superfans of BuzzFeed Motion Pictures at the panel was a great reminder that our internet world is very much a part of the real world and the dialogue with the audience was really exciting. Best of all, we had such a good time and were so well taken care of. Thanks SDAFF!”

    Abe Greenwald – Buzzfeed

  • “This was my very first panel experience and I enjoyed every minute of it. As a UCSD alumni, I felt honored to come back and represent the Triton pride. It was amazing to see in real life how BuzzFeed Motion Pictures is impacting the world of media. My favorite moments were talking with students about their dreams of working in the industry and impacting the world. I had such a wonderful time, and everyone from SDAFF was so kind and welcoming! Thank you, SDAFF!!”

    Mallory Wang – Buzzfeed

  • “The San Diego Asian Film Fest is one of the most important film festivals in Southern California. They provide vital exposure for filmmakers’ work, and they give access to new Asian films from around the world for the San Diego community. I had a wonderful time at SDAFF where I felt like I was part of an intimate film community that loves movies!”

    Benson Lee, Director – SEOUL SEARCHING

  • “I was thrilled to screen my documentary TYRUS at SDAFF. Brian and Lee Ann crafted an incredible multi-faceted event that honored the legendary Tyrus Wong, gave me an opportunity to showcase my film, and provided the community with a truly special and memorable experience. Thank you PacArts and SDAFF. SDAFF is the kind of festival a filmmaker dreams of – it has vision, class, and is, simply put, a BLAST!”

    Pamela Tom, Director – TYRUS

  • “The San Diego Asian Film Festival is by far one of my all-time favorites. Lee Ann Kim, Brian Hu, and the entire SDAFF team run a top-notch first class festival with artistic integrity and incredible organization. It’s audience and filmmaker friendly, well-run and downright fun! Happy Sweet 16!! Looking forward to returning again!”

    Linda Barry, Producer – TYRUS

  • “SDAFF is a filmmaker’s festival. It celebrates filmmakers and their work by going the extra mile to not just get people in the seats for the screenings, but people for whom that particular film will make the most impact. Even though I couldn’t attend the festival this year, the festival included me in a Skype Q&A and shared with me written feedback. It’s truly a gift to get that kind of feedback, especially when you can’t be there in person. SDAFF sets the bar high, and I’m incredibly grateful to them.”

    Kimberlee Bassford, Director – WINNING GIRL

  • “We had one of our best festival experiences screening SOMEONE ELSE at SDAFF. A terrific audience, unfailingly generous support from the festival staff, and a great party. Plus I was so impressed by the scope and quality of the programming — quite a thrill for my weird little low-budget Asian American indie to screen alongside work by some of the greatest filmmakers on the planet. I’ll make another movie just in the hopes of getting invited back!”

    Nelson Kim, Writer & Director – SOMEONE ELSE

  • “Organizations like Pacific Arts Movement and its San Diego Asian Film Festival allow films like mine to have a proper home, and allow them to breathe and just be. I’m incredibly humbled that the jurors saw so much in my film – a film using my native tongue and intentionally nuanced dynamics of diaspora and family (both traditional and untraditional). The programming looked and felt so robust and challenging and satisfying. I’m looking forward to next year, and will consciously plan to keep those days open to be in San Diego.”

    RJ Lozada, Filmmaker – DISTANCE BETWEEN

  • “It was definitely an exceptional experience in San Diego. I enjoyed watching films, meeting fellow filmmakers, talking to producers and audiences. The festival is very well organized and the volunteers are excellent. The Gala is amazing too. As a Chinese filmmaker based in L. A., it’s my first time to see so many outstanding Asian films during such a short time. Some of the films may even be hard to reach in China. This is something very special and exciting.”

    Tian Guan, Filmmaker – DRAMA

  • “I am very lucky and blessed to have been a part of the San Diego Asian Film Festival this year. It is very inspiring to meet so many talented individuals with great talents and potential. Being able to experience their passion for filmmaking first hand was exceptional. I am so thrilled and excited that the San Diego Asian Film Festival is at the forefront of representing the Asian American community through showcasing the exceptional talents that California holds!”

    Ji Sub Jeong, Filmmaker – ‘CUZ HE’S BLACK

  • “While in the midst of the festival, I can already begin to see a wide horizon of many different opportunities for REUNIFICATION in terms of presentation formats that are not just limited to just traditional distribution. Pac-Arts helped me see that and made this world premiere such a special and comfortable experience. This experience was altogether a priceless training for navigating through future festivals and media engagements. I now know what a supportive community is and I was glad to have been a part of it.”

    Alvin Tsang, Director – REUNIFICATION

AWARDS ELIGIBILITY

 

The San Diego Asian Film Festival recognizes filmmaking achievement through a presentation of juried and balloted awards.

 

The Festival presents the following awards to films in competition:

 
BEST NARRATIVE FEATURE
BEST DOCUMENTARY FEATURE
BEST NARRATIVE SHORT
BEST DOCUMENTARY SHORT
BEST EXPERIMENTAL SHORT
BEST INTERNATIONAL SHORT
EMERGING FILMMAKER AWARD
AUDIENCE AWARD
GRAND JURY AWARD

 

Winners (except for Audience Award and International Short Award) will be recognized during the festival’s Awards Gala. There may or may not be additional awards. If jurors deem all films in a category undeserving of awards, they can elect to not choose an award for that category.

ENTRY DEADLINES & FEES

 

Each project entered into the competition must pay an entry fee. There is no limit to the number of qualifying entries by any entrant so long as an entry form and fee accompany each entry.

 

A completed application and entry fee must be RECEIVED by one of the following dates:

 
EARLYBIRD DEADLINE

March 28, 2022  |  $30 USD entry fee

 
REGULAR DEADLINE

April 25, 2022  |  $40 USD entry fee

 
LATE DEADLINE

June 3, 2022  |  $50 USD entry fee

 
EXTENDED DEADLINE / SHORTS

June 24, 2022 |  $60 USD entry fee

 
EXTENDED DEADLINE / FEATURES

July 15, 2022 |  $60 USD entry fee

 

FREQUENTLY ASKED QUESTIONS

 

IF MY FILM DOES NOT HAVE ASIAN OR PACIFIC ISLANDER CONTENT, CAN I SUBMIT MY FILM TO THE FESTIVAL?

Yes! We believe that films, regardless of their content, are the expression of their artists, so whatever the subject of the films, they are colored by the worldview and experience of the director. Furthermore, we don’t believe that Asian Pacific Islander artists should be limited to only telling Asian stories.

IF I AM NOT ASIAN PACIFIC ISLANDER, IS MY FILM ELIGIBLE TO SUBMIT TO THE FESTIVAL?

 

If the lead characters are of Asian Pacific Islander descent, or if the subject of the film relates to Asian Pacific Islander communities, histories, or politics, the film is eligible for the film festival.

 

CAN I SUBMIT A WORK-IN-PROGRESS?

Absolutely. If you are comfortable with our programming team viewing your work-in-progress version, we want to see it! However, please note somewhere (for instance in the cover letter or as an onscreen title preceding your film), what elements you are still working on so that programmers know how best to evaluate your film.

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